广州影像三年展2025 以 “感知生态学” 为主题，集结全球 25 个国家和地区的 80 余位影像领域创作者，呈现一场聚焦生态、感知与媒介创新的艺术盛宴。

 

参展艺术家立足多元文化背景，以摄影、影像装置、数字艺术等丰富媒介，从自然生态、城市生态、人文生态等维度展开创作，用镜头记录环境变迁，以作品探讨人类与自然的共生关系。

 

这些创作者既是影像艺术的实践者，也是时代议题的回应者。接下来，让我们逐一走近他们，解读其作品背后的创作逻辑与思想内核。

 

 

克劳迪娅·贾瓜里贝是一位巴西艺术家，现工作和生活于圣保罗与里约热内卢。她毕业于美国波士顿大学，获得艺术史、视觉艺术与摄影学位。她的艺术实践主要关注城市景观与环境议题，尤其致力于从观念层面探讨现实的再现方式。

 

通过融合现实主义与主观性的元素，艺术家挑战观者对图像的既有感知，在作品中构建出复杂的意义层次与叙事结构。她通过多样的材料实践，对摄影的本质提出质疑，使其突破传统媒介形态，延展至摄影—雕塑等形式。同时，她也在创作中融入影像、人工智能与新技术。

 

她的大量创作根植于编辑性研究，许多系列最终以书籍出版的形式呈现。她已创作并出版二十本广受好评的艺术书籍，这些出版物因摄影与平面设计之间的创新性结合而备受赞誉。2013 年，她共同创立了专注于摄影书出版的出版社 Editora Madalena。

 

她的作品被多家重要的国际美术馆与机构收藏，其中包括：圣保罗现代艺术博物馆（Museum of Modern Art – São Paulo）、伊尼奥廷当代艺术机构（Inhotim – Contemporary Art Institute，Brumadinho）、伊塔乌文化中心（Itaú Cultural）、莫雷拉·萨莱斯研究所（Instituto Moreira Salles）、维多利亚与阿尔伯特博物馆（Victoria and Albert Museum）、巴黎欧洲摄影之家（Maison Européenne de la Photographie）、罗马意大利—拉丁美洲研究所（Instituto Ítalo-Latino Americano）以及 Hangar 当代艺术中心（Hangar Art Center）等。

 

Claudia Jaguaribe is a Brazilian artist based in São Paulo and Rio de Janeiro. She holds degrees in art history, visual arts, and photography from Boston University, USA. Her artistic practice focuses on urban landscapes, environmental themes, andparticularly on exploring the representation of reality from a conceptual perspective.

 

By merging elements of realism and subjectivity, Jaguaribe challenges viewers to deepen their perception, creating complex layers of meaning and narrative. Her work materialities question the very essence of photography, expanding beyond traditional formats to photo-sculptures. She also integrates video, artificial inteligence and new technologies in her work.

 

Much of her portfolio is rooted in editorial research, with many series culminating in the publication of books. She has authored and published 20 acclaimed books, renowned for their innovative integration of photography and graphic design. In 2013, she co-founded Editora Madalena, a publisher dedicated to photographic books.

 

Her work is represented in numerous prestigious museums and collections worldwide, including the Museum of Modern Art – São Paulo, Inhotim – Contemporary Art Institute, Brumadinho, Itaú Cultural, the Moreira Salles Institute, Victoria and Albert Museum,Maison Européenne de la Photographie in Paris, Instituto Ítalo-Latino Americano in Rome, and Hangar Art Center, among others.

 

 

克劳迪娅·贾瓜里贝

巴西

4K影像

5'02"

2023

作品由艺术家提供

 

Claudia Jaguaribe

BRA

4K video

5'02"

2023

Courtesy of the artist

 

《当我看见时》通过当代观察者的视角，探索风景摄影，特别是巴西雨林的风景摄影。正如保罗·维利奥所言：“风景首先是风景美学的创造物。”这强调了风景并非独立存在，而是通过人类感知来框定和理解的。

 

该项目倡导重新审视自然景观的概念及其边界。雨林植根于我们的图式记忆，塑造了我们对自然的讨论。但什么是真正的自然？哪些方面是人类的构建？我们如何感知一种既遥远又濒临消失的自然？这些核心问题驱动了对森林的摄影反思。

 

巴西仍是少数几个仍能体验未受破坏的自然、却又处于深刻变革边缘的地方之一。《当我看见时》是对这一脆弱时刻的冥想——对自然脆弱性及其与人类感知复杂关系的沉思。

 

Quando Eu Vi explores landscape photography, specifically focusing on the Brazilian rainforest, through the eyes of contemporary observers. As Paul Virilio stated, "The landscape is above all a creation of the landscape's aesthetics." This underscores that landscapes do not exist independently; they are framed and understood in relation to human perception.

 

The project advocates for a reevaluation of the concept of natural landscape and the boundaries of what we consider natural. The rainforest is embedded in our iconographic memory and shapes our discourse about nature. But what is truly natural? What aspects are human constructions? How do we perceive a nature that is simultaneously distant yet on the verge of disappearance? These essential questions drive this photographic reflection on the forest.

 

Brazil remains one of the few places where we can still experience unspoiled nature on the brink of profound change. Quando Eu Vi is a meditation on this delicate moment — a contemplation of nature's fragility and its complex relationship with human perception.

 

 

审定 / 涂晓庞

审校 / 曾睿洁

摄影 / 杜悦儿 曾雨林

资料提供 / 姚小菲 石裕榕

编辑 / 刘丹妮