广州影像三年展2025以 “感知生态学” 为主题，集结全球 25个国家和地区的80 余位影像领域创作者，呈现一场聚焦生态、感知与媒介创新的艺术盛宴。

 

参展艺术家立足多元文化背景，以摄影、影像装置、数字艺术等丰富媒介，从自然生态、城市生态、人文生态等维度展开创作，用镜头记录环境变迁，以作品探讨人类与自然的共生关系。

 

这些创作者既是影像艺术的实践者，也是时代议题的回应者。接下来，让我们逐一走近他们，解读其作品背后的创作逻辑与思想内核。

 

 

哈斯娜·艾尔·乌阿尔加，1993年生于摩洛哥塞拉，现工作生活于马拉喀什。毕业于马拉喀什视觉艺术学院，她的艺术研究建基于摄影图像的复杂性之上。

 

通过追问照片所代表的那些心像，哈斯娜·艾尔·乌阿尔加展开了一种解构过程，让潜意识与意外涌现的记忆得以凸显。通过反复研究，她最终选择蓝晒法作为其创作的独特方式——在此过程中，自然与人工痕迹交织于无形记忆的轨迹之上。在记忆回溯的过程中，石头作为一种自然元素，成为无法触及却又始终存在的过去的载体，宛如被遗忘故事的讲述者。

 

其作品曾于纽约汉娜·特拉奥尔画廊及马拉喀什贾亚画廊展出，并被洛克菲勒家族、迪奥品牌、法国兴业银行、摩洛哥蒙特雷索艺术基金会以及拉巴特国家摄影博物馆收藏。

 

Hasnae El Ouarga was borned in 1993 salé , morocco .Lives and works in Marrakesh (Morocco). As a graduate of the Marrakesh School of Visual Arts, Hasnae El ouarga builds her artistic research on the complexity of the photographic image.

 

By questioning these mental images represented by the photographs, Hasnae El Ouarga engages a process of deconstruction that gives prominence to the unconscious and the resurgences of unexpected memories. In a process of tireless research, it is finally the practice of the cyanotype that allows her to find a unique way of creation, where nature and artifice interfere on the tracks of an invisible memory. In this process of anamnesis, the stone as a natural element becomes the vector of an inaccessible and always present past, like a storyteller of forgotten stories.

 

Her work has been presented at the Hannah Traore Gallery in New York and the Jajjah Gallery in Marrakesh and has entered the Rockefeller and Dior collections, as well as the collection of Société Générale Bank, the Montresso Art Foundation in Morocco and the National Museum of Photography in Rabat.

 

 

哈斯娜·艾尔·乌阿尔加

摩洛哥

蓝晒摄影纸本、铁、氧化铜

200cm x 130cm x 4

2024-2025

鸣谢艺术家和Montresso艺术基金会

Hasnae El Ouarga

MAR

Cyanotype photographic print, iron, oxidized copper

200cm x 130cm x 4

2024-2025

Courtesy of the artist and Montresso Art Fundation

 

艺术家相信，自我深处存在一个不受时间支配的核心，使其在关键时刻得以自持。她拒绝被时间衡量，而是渴望成为时间本身的尺度。由此，她希望将时间内化，在瞬间中把握永恒，因为衡量时间的真正标准在于其密度——有时一分钟的丰盈，甚至胜过数年的累聚。

 

对于艺术家而言，存在并非线性的进程，而是一种反复展开、不断重启的时空体验。因此，她天生向往未来的生活。当下不应冒犯未来：它的使命在于消散与让位。而过去，也不会因此被彻底抹去，而是以气味、影像、情绪与感官体验的形式重新浮现。未来的意义，正在于追赶并承接过去，使生命不至于支离破碎，从而保证其完整的意义。

 

The artist believes that at the core of the self lies a center untouched by time, enabling composure in critical moments. She refuses to be measured by time and instead aspires to become a measure of time itself. Accordingly, she seeks to internalize time, to grasp eternity within the fleeting instant, for the true measure of time lies in its density—sometimes the richness of a single minute surpasses the accumulation of years.

 

For the artiste, existence is not a linear progression, but a temporal-spatial experience that unfolds repeatedly and continuously restarts. Thus, she is inherently drawn to the life of the future. The present should not offend the future : its role is to dissipate and yield. The past, however, is not thereby erased, but reemerges in the form of scents, images, emotions, and sensory experiences. The significance of the future lies in pursuing and inheriting the past, preventing life from fracturing and thereby ensuring the wholeness of its meaning.

 

 

审定 / 涂晓庞

审校 / 曾睿洁

资料提供 / 石裕榕

图片 / 曾雨林

编辑 / 刘丹妮