广州影像三年展2025以 “感知生态学” 为主题，集结全球 25个国家和地区的80 余位影像领域创作者，呈现一场聚焦生态、感知与媒介创新的艺术盛宴。

 

参展艺术家立足多元文化背景，以摄影、影像装置、数字艺术等丰富媒介，从自然生态、城市生态、人文生态等维度展开创作，用镜头记录环境变迁，以作品探讨人类与自然的共生关系。

 

这些创作者既是影像艺术的实践者，也是时代议题的回应者。接下来，让我们逐一走近他们，解读其作品背后的创作逻辑与思想内核。

 

 

低地小组 （简国荣 / 陈燕馨 / 吴慧瑜 / 吴美琪 /骆诗韵）是一个地处南方、合力共创的艺术小组。所有成员都来自广州美术学院，具有多元化的学科背景，小组创作多以社会参与和研究性艺术的方式开展，主要的创作媒介包括文本、影像、装置和艺术工作坊等。小组关注多样性的生态叙事，并从生态艺术和社会参与式艺术的创作和研究出发，通过链接社群网络的力量来传递不同寻常的生态价值观以及对“人类世”的思考与回应。小组致力于构建持续增长并实现理念与实践相结合的绿色“低地”。

 

除却以传统的知识路径来关照他者，「低地」还望以特定场景经验作为参照，补充观念性、历史性之外的在地视角，强调肉身的参与与体悟；挣脱“人”与“非人”的笛卡尔式二元对立划分观念，为全生命的共存寻找替代性的出路，为全生命的平等发展建立一套更为友善的伦理价值评判标准。

 

GROUNDED (Jian Guorong, Chen Yanxin, Wu Huiyu, Wu Meiqi, Luo Shiyun) is a collectively-run art collective based in Southern China, with all members coming from the Guangzhou Academy of Fine Arts and possessing diverse disciplinary backgrounds. The group’s practice unfolds primarily through socially engaged and research-based approaches, employing mediums such as text, video, installation, and art workshops. GROUNDED focuses on plural ecological narratives, departing from practices and research in eco-art and socially engaged art. By connecting community networks, the collective conveys alternative ecological values and reflections on the “Anthropocene,” striving to build a growing green “lowland” where theory and practice intertwine.

 

Beyond engaging others through conventional knowledge frameworks, GROUNDED seeks to draw on situated, site-specific experiences to complement local perspectives outside the purely conceptual and historical, emphasizing embodied participation and lived understanding. The group aims to break free from Cartesian dualisms of “human” versus “non-human,” searching for alternative paths for the coexistence of all life, and establishing a more caring ethical framework for the equitable flourishing of all beings.

 

 

低地小组

陈燕馨、简国荣、骆诗韵、吴慧瑜、吴美琪

中国

影像，摄影，文献，明信片等

尺寸可变，影像时长:10mins

2021-2025

作品由艺术家提供

GROUNDED

Chen Yanxin, Jian Guorong, Luo Shiyun,Wu Huiyu, Wu Meiqi

CHN

Video, photography, documents, postcards

Dimensions variable, duration of the video: 10mins

2021-2025

Courtesy of the artists

 

《地胆菜单》是艺术家们对饮食文化的反思与自我调适的实践。广东人常称熟悉街头巷尾美食的人为“地胆”，意指对本地饮食文化洞若观火的行家。然而，当"地”的范围从南北菜市、田园农地不断收缩至城市空间，最终缩减到家中的厨房与餐具时，所谓“识食”的“地胆”只能在当下条件中，制定一份因地制宜的菜单。

 

作品从一道印象深刻的菜肴出发，以味觉唤起个体的生活记忆，建构味道与记忆之间的感官通道。菜单的展开将分散的经验、感受与故事串联，形成在个人与集体记忆之间流动的叙事线索。《地胆菜单》不仅记录饮食，更是在有限条件中探索创造力的行动--在有限的食材与空间里重新发掘本地风味的可能，使烹饪成为交流、安慰与再创造的媒介。

 

Recipes of DeiDaam is a project in which the artists reflect on food culture and engage in an act of self-adjustment. In Cantonese, a deidaam refers to someone who knows local food intimately-an expertfamiliar with every corner of the city's culinary landscape. Yet when the notion of "place" shrinks from vastmarkets and farmlands to the confines of a single city, and ultimately to the kitchen and tableware at home,the so-called connoisseur must devise a menu that responds to the limits of the present environment.

 

Beginning with a single memorable dish, the project uses taste to evoke lived memories, creating a sensorypassage between flavor and recollection. As the menu unfolds, it weaves together dispersed experiencessensations, and stories, forming a thread that flows between individual and collective memory.

 

More than a record of food practices, Recipes of DeiDaam is an exploration of creativity under constraint-rediscovering local flavors within limited ingredients and spaces, and transforming cooking into a mediumof communication, consolation, and reinvention.

 

 

审定 / 涂晓庞

审校 / 曾睿洁

资料提供 / 石裕榕

图片 / 曾雨林 杜悦儿

编辑 / 刘丹妮