展 期：2026年5月28日- 8月5日

地 点：广东美术馆新馆2楼4号厅

（地址：广州市荔湾区白鹅潭南路19号）

主办单位：广东美术馆

学术主持：王绍强

策展人：冀少峰

 

Date：May 28th, 2026 to August 5th, 2026

Venue: Hall 4, 2F, Guangdong Museum of Art (Baietan)

（Address: 19 BAIETAN South Road, Liwan District, Guangzhou, Guangdong）

Organizer: Guangdong Museum of Art

Academic Director: Wang Shaoqiang

Curator: Ji Shaofeng

 

 

在赫利顿·希夏的创作体系中，光从来不附着于作品表面，它是一种贯穿作品内部的生长状态。这种从外而内的生长状态，可以在“四季倒影：光之镜中的自然”展览中被感知所归纳。它既是对自然的再现，也是对自然本体的重构，以及对感知方式的视觉重启。希夏以镜面不锈钢这一高度工业化的材料为表达媒介，不断在其表面制造一种丰富的且可以捕捉周遭环境的物质环境，使原本趋于完美的几何体发生持续的偏移与变形。这种处理，是形式上的修辞也是结构的介入。在这些被扰动的作品表面，光被捕捉、被折射、被延展，进而转化为一种介于真实与超现实上的视觉流体。

 

希夏的创作对强调体量与结构的雕塑传统进行了重写。他所建构的，不是雕塑的体量，而是光的回馈场。自然不是对象，而是过程；不是生成机制，而是观看机制。四季不是时间的顺序，而是状态的转换：绽放、扩张、收敛、沉潜。这种转换通过光在作品表面的运动被不断显现。

 

本次展览将集中呈现希夏近期围绕光、自然与环境创作的多件大型雕塑作品，如通过色彩与材料变化表现四季感知差异的《春光》《夏光》《秋光》《冬光》系列，同时展出多件小型雕塑与创作手稿，以完整呈现艺术家的创作图谱。

 

n Helidon Xhixha’s artworks, light is never confined to the surface of a work, but exists as a state of growth that emerges from within and permeates the interior of the piece. This growth can be perceived and distilled in the exhibition Reflections of the Four Seasons: Nature in Light's Mirror, which is both a representation of nature and a reconstruction of nature’s very essence, as well as a reactivation of visual perception. Xhixha uses mirror-finished stainless steel, a highly industrial material, as his medium of expression, continually creating on its surface a rich, ever-changing material condition that captures the surrounding world, causing the originally near-perfect geometric forms to undergo persistent shifts and distortions. This treatment is at once a formal strategy and a structural intervention. On these agitated surfaces, light is captured, refracted, stretched, and thus transformed into a visual fluid suspended between the real and the surreal.

 

Xhixha’s practice reworks the sculptural tradition that emphasizes volume and structure, constructing a field of light interaction.Nature is not an object but a process; not a mechanism of generation but one of seeing. The four seasons are not just a sequence of time. They indicate transformations of state: blossoming, expanding, contracting, and retreating inward. This transformation does not unfold through narrative but is continuously made visible through the movement of light across the surface of the work.

 

The exhibition brings together a number of Xhixha’s recent large-scale sculptures centered on light, nature, and environment. Among them, the series Spring Light, Summer Light, Autumn Light, Winter Light, expresses seasonal differences in perception through variations in color and material. Several smaller sculptures and preparatory drawings are also on view, offering a complete picture of the artist’s creative output.

 

 

镜面抛光不锈钢 Mirror-polished stainless steel

200cm × 200cm × 230cm

2025

致谢艺术家 Courtesy of the artist

 

镜面抛光不锈钢 Mirror-polished stainless steel

155cm × 88cm × 300cm

2026

致谢艺术家 Courtesy of the artist

 

玻璃钢着色 Painted fiberglass

400cm × 43cm × 200cm

2026

致谢艺术家 Courtesy of the artist

 

镜面抛光不锈钢及玻璃钢着色

Mirror-polished stainless steel and painted fiberglass

40cm × 40cm × 250cm

2026

致谢艺术家 Courtesy of the artist

 

镜面抛光不锈钢 Mirror-polished stainless steel

25cm × 25cm × 50cm

2026

致谢艺术家 Courtesy of the artist

 

大理石 Marble

16cm × 16cm × 100cm

2026

致谢艺术家 Courtesy of the artist

 

 

 

审定 / 涂晓庞

审校 / 曾睿洁

资料提供 / 刘竹静

编辑 / 刘丹妮