本馆 | 俊杰风度——曾道宗中国画作品展
广东美术馆本馆（二沙岛）二楼5/6/8/9号厅
2026-03-28——
2026-04-12
俊杰风度——曾道宗中国画作品展
展期：2026年3月28日至 4月12日
地点：广东美术馆本馆二楼5/6/8/9号厅
（广州二沙岛烟雨路38号）
主办单位：广东美术馆、广东省美术家协会
协办单位：肇庆美术馆（黎雄才美术馆）
展览总监：王绍强
展览顾问：罗秋帆
策展人：王海樱
Artistic Elite: Chinese Colored Ink-wash Paintings by Zeng Daozong
Date: 2026.3.28-2026.4.12
Venue: Hall 5/6/8/9,2F，Guangdong Museum of Art(Ersha Island)
(Address: 38 Yanyu Road, Ersha Island, Yuexiu District, Guangzhou, Guangdong）
Organizers: Guangdong Museum of Art
Guangdong Artists Associations
Co-organizers: Zhaoqing Art Museum
(Li Xiongcai Art Museum)
Exhibition Director: Wang Shaoqiang
Exhibition Consultant: Luo Qiufan
Curator: Wang Haiying
展览简介
Introduction
星汉灿烂的中国现当代美术史群星闪耀、俊杰辈出、卧虎藏龙。当代中国画大家、出色的版画家以及杰出的美术教育家曾道宗正是这璀璨星河中一位熠熠生辉的国家殿堂级画家，他在中国画主题性创作、人物、山水等方面皆造诣深厚、卓有建树。主题性创作是当代画坛的重要课题。纵观百年来中国画主题性创作的演进史，徐悲鸿写实先锋，林风眠融合中西，周思聪表现探索……而曾道宗在主题性创作方面的独到之处在于融合主题性和艺术性，独树一帜地将传统“聚焦式”“全景式”等叙事性图式转化成单纯整体的现代构成，以典雅悦目的形色构成传达生动鲜活、扣人心弦的文学性情节，同时清晰呈现不同人物之间的逻辑关系，精心塑造兼具精神特质和审美理想的人物形象，创造出“宏观式”“情节式”“构成式”等经典构思方式，反映了中国画的审美转向与现代变革。
曾道宗在主题性创作方面的非凡成就得益于他在人物画领域所达到的国内一流水平。天赋极高的他不仅获得广州美术学院中国人物画科班研读的扎实根基，而且拥有长期在西部藏区写生体验的深厚积累。他独辟蹊径地将传统中国画精妙潇洒、劲健有力的写意笔法和西方绘画表现造型结构、空间透视等写实技巧有机结合，人物塑造精到但不板滞，写意却不空泛，自然而非矫饰。他擅于揭示心灵世界的美好与宽广，那健硕的牧民、美丽的藏女、浪漫的舞者等形象皆个性鲜明、内蕴丰富，展现出豪爽乐观的民族精神气质，体现了画家对普通人民无比真挚而深厚的情感。作为岭南画派大师关山月和黎雄才的高徒，曾道宗在出色继承中国古典传统和师辈技法体系的基础上突破性发展了岭南画派山水画，将水墨山水改造成彩墨风景，设色大胆却雅致，创作了大量表现南北河山的宏幅巨制，呈现出西北山水的恢弘气势和南方景色的秀丽温润。
本次展览展示曾道宗1970年代至今40多年间创作的中国画精品100多件，其中10多件为广东美术馆藏品。展览分为“心灵世界”“磅礴气势”“秀丽温润”“奇妙生命”四个单元，旨在系统呈现曾道宗在中国画现代转型方面的探索成果，发现其隐匿杰作的学术价值，同时归纳他对当代中国画创作的宝贵启示。展览现场同时展示古今中国人物画的发展历史，由此揭示这位从容旷达、不求闻达的广东籍艺术家在中国当代美术史上的重要地位。希望观众们能从革命历史、华夏传人、民族风情等重大题材作品中感受到这位丹青俊杰的超凡风度。
Zeng Daozong is a pre-eminent versatile artist in the history of contemporary Chinese art, who has created a series of brilliant Chinese colored ink-wash paintings, including thematic-painting, figure-painting and landscape-painting. Deeply touched by the poetic pastoral life on Qinghai plateau, Zeng created a large number of thematic paintings that narrate the colorful life of local Tibetan people. Distinguished from many contemporary artists, he not only presents the plots of the fascinating stories clearly, but also organizes the figures and formal elements into a visually pleasing composition. In this way, he innovatively integrates narration and formal beauty, assimilating modern Western art influences on the basis of traditional Oriental painting techniques.
Cherishing true affection for local ethnic people, Zeng has created many attractive figures in his artworks such as handsome horsemen, charming ladies and lovely children. All these graceful and cheerful figures in his paintings reflect the peaceful and serene atmosphere in contemporary China.Zeng Daozong is one of the most excellent and favorite students of Professor Guan Shanyue and Li Xiongcai, two renowned masters of Chinese landscape painting in the history of modern Chinese art. Besides thematic and figure painting, Zeng also creates numerous spectacular landscape paintings depicting grandeur plateaus, mountains and rivers in northwestern China. In terms of scenery in southern China, Zeng absorbs the techniques of modern Western painting to present its beauty, applying rich but elegant colors to depict the appealing flowers and vibrant plants.
Showcasing more than 100 pieces of works made by Zeng Daozong in more than 40 years since 1970s, the exhibition will be displayed at the Guangdong Museum of Art on Er-sha Island, which is composed of four units, “Spiritual Richness”, “Magnificent Landscapes”, “Beautiful Scenery” and “Biological Charm”. More than 10 pieces of the works in the exhibition are collection of the Guangdong Museum of Art. We believe that Zeng Daozong’s masterpieces enjoy important academic value for art historical and theoretical study, which will offer many precious inspirations for contemporary and future artistic creation in China.
部分展出作品
Selected Works
曾道宗《黄河子孙》
纸本水墨设色
1979年
广东美术馆藏
（局部）
曾道宗《藏女系列之一》
纸本水墨设色
1990年
曾道宗《藏女系列之一》
（局部）
曾道宗《剪毛图》
纸本水墨设色
1984年
广东美术馆藏
（入选第六届全国美术作品展）
曾道宗《丰收的日子》
纸本水墨设色
1979年
（入选全国新疆维吾尔自治区成立70周年美术作品展）
曾道宗《有朋自远方来》
纸本水墨设色
1988年
（参加青海省进京美术作品展）
曾道宗《草原晨曲》
纸本水墨设色
2010年
曾道宗《戈壁行》
纸本水墨设色
2011年
曾道宗《黄河道上向云罗》
纸本水墨设色
1980年
广东美术馆藏
关于艺术家
Aout Artist
曾道宗Zeng Daozong
1938年生于广东兴宁，1961年毕业于广州美术学院中国画系。历任青海师范大学艺术系教师，青海省文联《青海画报》编辑，青海省美术摄影展览办公室美术组组长，中国美术家协会青海分会常务副主席兼秘书长，第四届中国美术家协会理事，广东艺术师范副校长，岭南画派纪念馆董事。
擅长中国画，人物、山水尤佳，曾两次为人民大会堂青海厅作画，亦执笔毛主席纪念堂、周恩来纪念馆。多次举办个展和联展，作品近十次参加国家级美术展览，且先后在日本、美国、澳大利亚、新西兰等国家以及中国香港、中国台湾等地区展出。部分作品获奖、收藏、出版及发表。
Born in 1938 in Guangdong Province, Zeng Daozong studied at Guangzhou Academy of Fine Arts from 1957 to 1961, majoring figure painting at the Department of Traditional Chinese Painting. He was one of the most excellent and favorite students of Professor Guan Shanyue and Li Xiongcai, two renowned masters of traditional Chinese painting in the history of modern Chinese art. Upon graduation in 1961, Zeng Daozong went to Qinghai Province in northwestern China voluntarily and lived there for 25 years. During this period, he used to work as a professor at the Art Department of Qinghai Normal University, and he was commissioned twice to create large-scale landscape paintings for the Great Hall of the National People’s Congress in Beijing.
Many leading fine art specialists in contemporary China agree that Zeng Daozong’s paintings enjoy important academic value for art historical and theoretical study. They believe that Zeng Daozong’s masterpieces will offer many precious inspirations for contemporary and future artistic creation in China.
擅长中国画，人物、山水尤佳，曾两次为人民大会堂青海厅作画，亦执笔毛主席纪念堂、周恩来纪念馆。多次举办个展和联展，作品近十次参加国家级美术展览，且先后在日本、美国、澳大利亚、新西兰等国家以及中国香港、中国台湾等地区展出。部分作品获奖、收藏、出版及发表。
Born in 1938 in Guangdong Province, Zeng Daozong studied at Guangzhou Academy of Fine Arts from 1957 to 1961, majoring figure painting at the Department of Traditional Chinese Painting. He was one of the most excellent and favorite students of Professor Guan Shanyue and Li Xiongcai, two renowned masters of traditional Chinese painting in the history of modern Chinese art. Upon graduation in 1961, Zeng Daozong went to Qinghai Province in northwestern China voluntarily and lived there for 25 years. During this period, he used to work as a professor at the Art Department of Qinghai Normal University, and he was commissioned twice to create large-scale landscape paintings for the Great Hall of the National People’s Congress in Beijing.
Many leading fine art specialists in contemporary China agree that Zeng Daozong’s paintings enjoy important academic value for art historical and theoretical study. They believe that Zeng Daozong’s masterpieces will offer many precious inspirations for contemporary and future artistic creation in China.
审定 / 涂晓庞
审校 / 曾睿洁
资料提供 / 王海樱
编辑 / 余舒雅
开放时间——每周二至周日9:00至17:00（16:30停止入场，16:45开始清场）
逢周一闭馆（法定节假日和特殊情况除外）。
广东美术馆新馆(白鹅潭)：广东省广州市荔湾区白鹅潭南路19号
前台电话: (020) 88902999
广东美术馆本馆(二沙岛)：广东省广州市越秀区二沙岛烟雨路38号
前台电话: (020) 87351468