广州影像三年展2025 以 “感知生态学” 为主题，集结全球 25 个国家和地区的 80 余位影像领域创作者，呈现一场聚焦生态、感知与媒介创新的艺术盛宴。

 

参展艺术家立足多元文化背景，以摄影、影像装置、数字艺术等丰富媒介，从自然生态、城市生态、人文生态等维度展开创作，用镜头记录环境变迁，以作品探讨人类与自然的共生关系。

 

这些创作者既是影像艺术的实践者，也是时代议题的回应者。接下来，让我们逐一走近他们，解读其作品背后的创作逻辑与思想内核。

 

 

郭图图，1996年出生，成长于广州，现居荷兰鹿特丹，是一位以摄影为主要创作媒介的艺术家。2015至2019年就读于鹿特丹威廉·德·库宁学院，主修视觉传达。毕业后，她以摄影展开艺术实践，创作围绕女性主义、身体、疼痛与记忆等主题，通过个人经验与视觉叙事相结合的方式，探讨身体作为情感与记忆载体的复杂状态。其作品曾展出于广东美术馆（2025），并入选鹿特丹摄影节（2023）、连州国际摄影节（2017），曾获荷兰 GUP / NEW 摄影新人奖（2022）。

 

Tutu Guo (b. 1996, China) grew up in Guangzhou and is currently based in Rotterdam, the Netherlands. She graduated from the Willem de Kooning Academy in Rotterdam (2015–2019), majoring in Transformation Design. Working primarily with photography, her practice engages with themes of feminism, the body, pain, and memory, combining personal experience with visual storytelling to examine the body as a site of emotional and mnemonic inscription. Her work has been exhibited at the Guangdong Museum of Art (2025), and selected for the Rotterdam Photo Festival (2023) and the Lianzhou International Photo Festival (2017). She was awarded the GUP / New Talent Award in the Netherlands in 2022.

 

 

郭图图

中国

摄影，喷墨打印，香云纱装裱，木制框

尺寸可变

2025

作品由艺术家提供，鸣谢顺德巽美术馆

 

Guo Tutu

CHN

Photography, inject print, mounted on gambiered Cantonsilk, wooden frame

Dimensions variable

2025

Courtesy of the artist and Duende Art Museum (Shunde)

 

香云纱的制作，是一场缓慢的、与自然共同完成的过程。丝绸浸泡在深红的薯莨汁中，河泥在布面上反复涂抹、洗去，光照、湿度与时间在其中给予她微妙的变化。每一次拉扯、摊晒与折叠，都不是简单的工序，而是人与物质之间的协作。

 

在创作过程中，吸引我的并不仅是香云纱细微的光泽，而是那些往往被忽略的“中间状态”。布料由几个工人同时搬运扔进水中清洗，堆叠时像花瓣般散开对对称的结构，薯莨汁在工人衣袖染出的不均匀颜色。这些看似“不完美”的瞬间，比成品更能讲述香云纱真正的起源与气息。

 

香云纱之所以独特，并非只因它是手工制作的，更是因为它的形成依赖人与自然的互相成全：薯莨中的鞣质渗入丝纤维，河泥中的铁离子与之反应，日光和空气缓慢介入，最终形成深沉而细细闪动的色泽。香云纱的感染力，不在于被完美铺展开的那一刻，而在于它被蒸、洗、晒、闷的那段旅程。

 

The making of gambiered Canton silk is a slow process, completed in collaboration with nature. Silk is soaked in the deep crimson juice of shuliang (dioscorea cirrhosa); river mud is repeatedly applied to the surface of the fabric and then washed away. Light, humidity, and time introduce subtle variations along the way. Each act of pulling, drying, and folding is not merely a technical procedure, but a form of cooperation between human bodies and material.

 

What draws me in during the process is not only the delicate sheen of gambiered Canton silk, but those often-overlooked “in-between states.” Several workers lift and throw the cloth into the water together, its folds spreading like petals as it is stacked, forming asymmetrical structures; the uneven stains left by the dye on the workers’ sleeves. These seemingly “imperfect” moments speak more vividly of the true origin and atmosphere of gambiered Canton silk than the finished fabric itself.

 

The uniqueness of gambiered Canton silk lies not simply in its handmade nature, but in the mutual completion between humans and the natural world. The tannins in the dye penetrate the silk fibers; iron ions in the river mud react with them; sunlight and air intervene slowly, giving rise to a deep, subtly shimmering surface. The affective power of gambiered Canton silk does not reside in the moment it is perfectly laid out, but in the journey of being steamed, washed, sun-dried, and sealed.

 

 

 

审定 / 涂晓庞

审校 / 曾睿洁

摄影 / 杜悦儿 曾雨林

视频 / 杜悦儿

资料提供 / 姚小菲 石裕榕

编辑 / 刘丹妮