前言
录入时间: 2014-01-03
墨西哥当代雕塑家豪尔赫•马林1963年生于墨西哥的米恰肯州乌鲁亚潘，早年求学于墨西哥国立自治大学图形设计专业，后攻读于国家艺术品修复学校，毕业后进入墨西哥当代艺术中心工作。上世纪90年代初，马林以陶土创作了一系列巴洛克风格的雕塑作品，令人惊叹。几年后，他开始青铜雕塑的创作。他的作品充满和谐的韵律美，体现了极高的艺术天赋和非凡的想象力。
马林雕塑的一个显著特征是大多有精心构思的中心人物作为整件作品的轴心，平衡着整个雕塑结构。他并不追求雕塑的对称性，在他看来，不对称性才是生活的常态。他的作品是古典手法与现代主题的交相辉映。他常用带翼的男子来表达如鸟儿般自由飞翔的梦想，或者用太阳穴上安有帽翅或戴着有尖喙的面具的人体来暗示飞翔的梦想。他以富于奇幻想象的手法创造的体操、跳水运动员或者鸟人、天使等古代神话形象表现了人体的健美与活力，体现了一种浪漫主义情怀和追求完美人性的美学理想。这使豪尔赫•马林成为跨越国界并为世界所认同的一位出类拔萃的墨西哥雕塑家。
Jorge Marin was born in Uruapan, Michoacán, in 1963. Initially he was enrolled in Graphic Design at the National Autonomous University of Mexico. He later enrolled at the National School of Restoration where he would study for about four and a half years. His career as an art restorer led him to work on restoring the former Cultural Center of Contemporary Art in Mexico. At the beginning of the 90´s, his talent was undoubtedly noticed through a series of ceramic sculptures. His contact with bronze began in the middle of that same decade. His innate sense of ornamentation and extraordinary technical skill of shaping volumes, augmented by his genius to combine fantastic realities, has allowed this artist to confuse and astound the viewer.
Jorge Marin explores the theme of human anatomy with a realism containing sound sculptural proportions, revaluing the vision of a new academy and offering as such with his artwork, the door to infinite possibilities of how to interpret this representation, which in creative postmodernism gets right when betting on one's ability to recognize a history that revises and claims, without allowing it to distinguish the imprint of his personal creative work or abandon the preconfigured principles on which his artwork is found. His artwork in bronze highlights his formal approach to each character, whose presence is a key element that makes up the represented figure by imposing its axis or column used to measure the composition in order to explore not necessarily symmetrically, but on the contrary, asymmetrically. From his work emanates the historical classicism of ancient sculptures with a perfect fusion full of contemporary themes. Winged men that represent the lightness of the wind blowing launched in the air with the eternal desire of flight. Human ambition tries to seize this inherent quality that birds possess through a creative dream, which supplants the perfection of a flying machine or an airplane for that of a body, in an allegory present in the cap placed on the character's temples or a mask with a long peak.
In this sense, we can say that the bronze work of Jorge Marin, a discipline that he provided a unique treatment to, is currently the collective unconsciousness of our country, and that the issues inherent in their mythologies have become a current statuesque Mexican iconography.
开放时间：每周二至周日9：00-17：00（逢周一闭馆）
每日16：30停止入场
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