新馆 | 万象由心——曾宓艺术大展
广东美术馆新馆(白鹅潭)一楼1-3号展厅
2026-09-18——
2026-11-12

展期:2026年9月18日—2026年11月12日
地点:广东美术馆新馆一楼1-3号展厅
指导单位:广东省美术家协会
主办单位:广东美术馆
联合主办:中国美术学院
协办单位:中国美术学院校友会、恒邦艺术中心
Date: 2026.9.18-2026.11.12
Venue: Hall 1-3, 1F, Guangdong Museum of Art (BAIETAN)
(Address: 19 BAIETAN South Road, Liwan District, Guangzhou, Guangdong)
Supervising organization: Guangdong Artists Association
Organizer: Guangdong Museum of Art
Co-organizer: China Academy of Art
Supporting Institutions: Alumni Association of China Academy of Art、HIBON ART
展览简介
Introduction
“万象由心——曾宓艺术大展”是曾宓这位成长、求艺并长期创作于江浙地区的艺术家首次在岭南举办的大型个展。展览展出近100件(组)作品,以其数十年的书画创作为线索,回望曾宓在传统笔墨、生活经验与个人感知之间展开的漫长探索。作为20世纪80年代以来中国画现代转型进程中的重要艺术家,曾宓立足地域文脉与写生实践,他并未以脱离传统的方式寻求现代性,而是在笔墨、构成与书写之间不断探寻中国画自身的语言可能。
展览分为“丘壑漫寻”“人间闲趣”“书心自写”“浑沦归真”四个板块,分别从山水、花鸟人物、书法及晚年新作与艺术家本人的创作世界展开,呈现其艺术语言从笔墨丘壑、日常情趣到书写实践的多重面貌,使绘画、书写、思想与生命经验彼此参照。
此次在岭南艺术语境中呈现曾宓先生,将一种不同于岭南经验的中国画现代性置于广东的艺术史现场加以比较和观看。两种路径共同指向一个仍未终结的问题:传统中国画如何在现代历史中保持开放,不断生成新的可能。
部分展出作品
Selected Works

造化因缘图
Good Karma
纸本水墨
Ink on Paper
88cm×42cm
2020

无象山水
Amorphous Landscape
纸本水墨
Ink and Paper
233cm×105cm
2010

高岩山居图
Mou ntai n Dwellings
纸本水墨
Ink on Paper
233cm×105cm
2010

雪中
In the Snow
纸本水墨
Ink on Paper
233cm×105cm
2010

承天夜游图
Night Stroll at Chengtian
纸本设色
Ink and Color on Pape
124cm × 170cm
20世纪90年代后期

出月图
Rising Moon
纸本设色
Ink and Color on Paper
114cm×107cm
1999

夏鲁寺图
Shalu Monastery
纸本设色
Ink and Color on Paper
80cm×74cm
1993

莺歌
Oriole Song
纸本设色
Ink and Color on Paper
35cm×35cm
2006
款识:左海三石楼主,丙成除月为友人重写新作于浣纱河下。
铃印:从今非薄古(朱文)、吉祥(白文)、三石(白文)、生肖印(朱文)
关于艺术家
About Artist
曾宓Zeng Mi
曾宓(1933—2022),号三石楼主,福建福州人。中学时期,师从吴启瑶教授学习水彩画。1957年考入浙江美术学院(现中国美术学院)中国画系山水科,得潘天寿、顾坤伯等名师亲授。1968年,作品参加莫斯科画展。1984年调入浙江画院任专职画师。
生前为浙江画院艺委会委员,国家一级美术师,中国美术家协会会员,享受国务院特殊津贴,被国务院授予有突出贡献专家称号,并曾连任浙江省政协第六、七、八、九届政协委员。出版有《中国写意画的构成艺术》《曾宓艺术札记》《曾宓画集》等。
Zeng Mi (1933–2022), also known by his studio name San Shi Lou Zhu, was a native of Fuzhou, Fujian. During his secondary school years, he studied watercolor under Professor Wu Qiyao. In 1957, he was admitted to the Department of Traditional Chinese Painting (Landscape Division) at Zhejiang Academy of Fine Arts (now China Academy of Art), where he received instruction from masters such as Pan Tianshou and Gu Kunbo. In 1968, his works were exhibited at the Moscow Art Exhibition. In 1984, he joined Zhejiang Painting Academy as a full-time painter.
He served as a member of the Art Committee of Zhejiang Painting Academy, held the title of National First-Class Artist, and was a member of the China Artists Association. He was the recipient of the Special Government Allowance of the State Council, which also conferred upon him the title of Expert with Outstanding Contributions. He was consecutively appointed as a member of the 6th, 7th, 8th, and 9th Zhejiang Provincial Committee of the Chinese People's Political Consultative Conference (CPPCC). His publications include The Art of Composition in Chinese Freehand Painting, Zeng Mi's Artistic Notes, and Painting Collection of Zeng Mi
生前为浙江画院艺委会委员,国家一级美术师,中国美术家协会会员,享受国务院特殊津贴,被国务院授予有突出贡献专家称号,并曾连任浙江省政协第六、七、八、九届政协委员。出版有《中国写意画的构成艺术》《曾宓艺术札记》《曾宓画集》等。
Zeng Mi (1933–2022), also known by his studio name San Shi Lou Zhu, was a native of Fuzhou, Fujian. During his secondary school years, he studied watercolor under Professor Wu Qiyao. In 1957, he was admitted to the Department of Traditional Chinese Painting (Landscape Division) at Zhejiang Academy of Fine Arts (now China Academy of Art), where he received instruction from masters such as Pan Tianshou and Gu Kunbo. In 1968, his works were exhibited at the Moscow Art Exhibition. In 1984, he joined Zhejiang Painting Academy as a full-time painter.
He served as a member of the Art Committee of Zhejiang Painting Academy, held the title of National First-Class Artist, and was a member of the China Artists Association. He was the recipient of the Special Government Allowance of the State Council, which also conferred upon him the title of Expert with Outstanding Contributions. He was consecutively appointed as a member of the 6th, 7th, 8th, and 9th Zhejiang Provincial Committee of the Chinese People's Political Consultative Conference (CPPCC). His publications include The Art of Composition in Chinese Freehand Painting, Zeng Mi's Artistic Notes, and Painting Collection of Zeng Mi
审定 / 涂晓庞
审校 / 曾睿洁
资料提供 / 石裕蓉
编辑 / 余舒雅
开放时间——每周二至周日9:00至17:00(16:30停止入场,16:45开始清场)
逢周一闭馆(法定节假日和特殊情况除外)。
广东美术馆新馆(白鹅潭):广东省广州市荔湾区白鹅潭南路19号
前台电话: (020) 88902999
广东美术馆本馆(二沙岛):广东省广州市越秀区二沙岛烟雨路38号
前台电话: (020) 87351468