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Autumn Grasses Soothe the Heart--LiFang's Nomadic Brushwork

Hall 10/11/12, 3F, Guangdong Museum of ArtEr-sha Island
2026-01-30—— 2026-04-06

Date:2026.1.30—2026.04.06
Venue:Hall 10/11/12, 3F, Guangdong Museum of ArtEr-sha Island
Organnizer:Guangdong Museum of Art
Chief Curator:Wang Shaoqiang
Academic Host:Pi Daojian
Curator:Liao Shani
 
Introduction
 
Li Fang stands as a compelling case for rediscovery in the 20th-century Chinese art history. Her artistic career is closely intertwined with the modernist enlightenment of the "Fifth Moon Group" the transformative influence of the Parisian abstraction, and the return to nature during her years in Switzerland. With "Painterly Nomad" as the clue, the exhibition consists of three thematic sections: "Inheritance and Wandering", "Stillness and Dialogue", and "The Poetics of Return". Nearly a hundred oil paintings, watercolors, sketches, and archival documents from different periods of Li's career are on display, providing a comprehensive overview of her artistic exploration and aesthetic integration within cross-cultural contexts.
Along the life journey from Taipei ,China to Paris and then to Switzerland, Li Fang underwent significant artistic transformations, shifting from radical abstract experiments to a deepened contemplation of nature. She integrated her Eastern painting training from the Taipei period with the abstract techniques honed in Paris, forming her personal style. Li created an "inner-image" landscape that harmonizes abstract composition with figurative expression. Through prolonged sketching at the foot of the Alps and by the shores of Lake Thun, she achieved a unique cross-cultural aesthetic synthesis.
The poetic theme "Autumn Grass Nourishes the Heart," derives from a small painting created by the artist in the 1980s, aptly encapsulating the profound value of Li's art: rather than pursuing visual spectacles, it establishes poetic connections between the material and the psychic, tradition and modernity, and East and West with a gentle yet enduring strength.
This exhibition is an important project in the "Overseas Chinese Artists Series" hosted by the Guangdong Museum of Art. This exhibition seeks to present to the audience, through Li Fang's serene and profound artistic world, a precious vision of how she maintained artistic ontology amid cultural migration and upheld personal authenticity amid currents of the times.
 
Selected Works
House Interior Taipei
Oil on canvas
78 cm × 58 cm
1958
 
Phoenix
Monotype
10 cm × 39 cm
1962
 
Violet Abstract
Color and ink on paper
32 cm × 47 cm
1963
 
Moonflower
Oil on canvas
46 cm × 55 cm
1965
 
Untitled
Oil on canvas
39 cm × 39 cm
1968
 
Arnica Montana
Oil on canvas
75 cm × 57 cm
1986
 
Magnoliar
Oil on canvas
80 cm × 80 cm
1995
 
About Artist
Li Fang
Li Fang (1933-2020) was born in Wanhua, Taipei, Taiwan, China. She graduated from the Department of Fine Arts, Taiwan Normal University in 1955 and was an important early member of the "Fifth Moon Group." In 1959, she was awarded a scholarship from the French government to pursue advanced studies at the Beaux-Arts de Paris. Under the tutelage of Jean Souverbie, her artistic style shifted towards abstract expressionism. In 1962, she relocated to Switzerland and married Swiss artist Hans Brun, subsequently establishing her career within the European art scene.Her artistic journey is defined by three major evolutions: her early involvement in the Modernist Movement in Taiwan, China, a profound shift into abstract painting during her years in France, and, after settling in Switzerland, a turn to plein air painting. Her mature works masterfully integrated Eastern ink-brush techniques with depictions of Western landscapes, and incorporated poems and symbolic elements into real-life scenes. Li formed a personal style that evolved across periods, ranging from vivid and bright to serene and profound.Through a lifetime of low-key yet persistent dedication to her art, Li Fang developed a unique visual language in a cross-cultural context. Her practice stands as a singular and coherent body of work among twentieth-century Chinese women artists, successfully forging a synthesis of Eastern and Western aesthetic
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